Saturday, November 12, 2016
A Golden Age by Tahmima Anam
It is of furthest importance to any designer that his work possesses the element of longevity. With that existence said, Tahmima Anam is champion such cause who artistically employs techniques in rescript to ensure that her novels are memorable. It croupe therefore be argued that a golden age is indelible owing to the intimate liaison made between the reviewer and the protagonist, Rehana, which Anam brings into being. Rehana, the writers centre of consciousness, is given priority all over the other characters in basis of how the lector views Rehanas actions and interprets her thoughts. During 1971, in war torn Bangladesh, the reader can therefore advantageously witness and is kept communicate as to Rehanas pursuit in the war as hale as the relationships she forges and strengthens. Hence, it is infallible that literary devices are innate to the creation of the novels longevity as it is these devices that inspire the formation of the readers bond with the protagoni st. The writers use of muniment fountainhead of view as well as Rehanas federal agency as trope for the realm (Bangladesh) are thus strategic techniques deployed by the author. The former technique elucidates Rehanas innermost sentiments, secrets and motivations whereas the latter(prenominal) is indicative of self actualisation which parallels the nations development and maturation into an independent one.\n upright husband, I lost our children at present, Rehana utters at the onset of the startle chapter. She was relaying the events which led up to her losing handcuffs of her children to Faiz when they were quite young. The use of narrative shew of view at this point of the novel is brisk to the delineation of Rehanas feelings of waiver and solitude when her children are taken away. It is actually at this point that the reader realizes that the limited wise point of view has been active by Anam, as the trading floor is being filtered through one characters electron lens; those of Rehanas. These first lines of t...
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